Archive Page 2

3.22

Novel:

Man moves into the motel room next to the one his wife was murdered. His wife was cheating on him with the person who killed her. Killer was caught, but man becomes obsessed with his wife’s final moments, particularly the room in which she died. He’s never been inside the room, but is frightened of it. He learns he can eavesdrop on the room and begins to listen on the people who come to stay there. He listens to the one-night stands, the families on vacations, etc. He lies in on the carpet and tries to imagine what his wife thought, bleeding to death, staring at the pocked styrofoam tiles of the ceiling. He becomes comfy in the room, taking his meals there, listening to his ever-changing neighbors as if they were a semi-regular television show. But then… one night, a new neighbor arrives and her sobbing carries over through the air-vent. Then things get interesting.

3.20

Today’s food for thought.

Marvel Pitch:

Nick Fury – No SHIELD, no fancy spy gadgets, no millions of dollars to pull from. Still thinking on the thrust. What’s he doing running from SHIELD? If he really told Stark about the SHRA Bill, why’s he ducking? It can’t be from the Secret War anymore. SHIELD’s no longer dirty. What does he want? Retirement? No. His old job back as Director? Nah. What does the world’s greatest spy do these days? I can see why he was shuffled off. Watched American Idol tonight and one of the talented few sang “Diamond’s are Forever” and I got nostalgic. What’s so appealing about that song? That time in Bond lore? How might I bring that to Fury?

HYDRA – Pitch already done. Just a reminder it’s out there.

Just blah blah:

Ali Baba is an immortal. Sparkquote: “I’d forgotten how much fun this is. Why’d I ever stop?” SWORDS.

And just because I likes it so much:

3.19

Reminder: Read Greek tragedy and STEAL

3.18.b

Someone robs one of those Japanese super mag-lev trains? Lots of fun there, I think.

3.18

Thinking about an update of the Great Train Robbery theme. Would rather go contemporary, but also playing with the idea of setting it in the ridiculously far future.

Space: Pros

- space train careening into Jupiter’s Great Red Asshole of Sauron while space cowboys shit themselves

Space: Cons

- too cheesy. bad science fiction

Contemporary: Pros

- easier to get on with an indie publisher (they seem to go for caper stories no matter how bad they are)

- easier to SAY SOMETHING

- better for character work, more fun, shittier, grittier

Contemporary: Cons

- too much research. people will call me on all the bullshit I get wrong (because they’re out there) when I’d rather make it up than research

- too likely to be accused of SAYING SOMETHING post 9-11

3.16

Little black book, electronic-like. Savvy?

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